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Der Mann Der Gott Verklagte Soundtrack

Written By Saturday, 16 July 2022 Add Comment Edit

1972 soundtrack album by Nino Rota

The Godfather
Godfather Sdtk.jpg
Soundtrack album by

Nino Rota
Released 1972. CD: 26 March 1991 159487
Genre Soundtrack
Length 31:31
Label Paramount (original) / MCA (CD)
Producer Tom Mack
The Godfather chronology
The Godfather
(1972) 		The Godfather Part II
(1974)

The Godfather is the soundtrack from the motion picture of the aforementioned name, released in 1972 by Paramount Records, and in 1991 on compact disc past MCA. Unless noted, the cues were composed by Nino Rota and conducted by Carlo Savina (who was credited on the LP, merely not the CD). The vocal "I Have only One Heart" is sung by Al Martino, who performed it in the film as graphic symbol Johnny Fontane.

The score was nominated for an Academy Award; nevertheless, the Academy withdrew the nomination after determining that the "Love Theme" was a rewritten version of Nino Rota's music from the 1958 film Fortunella.[1]

Background and recording [edit]

Coppola hired Italian composer Nino Rota to create the underscore for the moving-picture show, including the primary theme, "Speak Softly, Honey".[2] [3] [4] In Oct 1971, Coppola flew to Rome with a copy of the flick to give Rota to view and create the score appropriately.[5] For the score, Rota was to relate to the situations and characters in the film.[2] [iii] Scott Cain of The Atlanta Periodical and Constitution reacted to Rota'south work with the movie's score by saying that regardless of how the pic turned out, "it will be worthwhile just for Rota's contributions."[6] Rota synthesized new music for the motion picture and took some parts from his 1958 Fortunella film score, in order to create an Italian feel and evoke the tragic film's themes.[7] Rota also based the piece Main Theme (The Godfather Waltz) off the opening melody of Jean Sibelius' Symphony No. 1.[8] Paramount executive Evans establish the score to exist too "highbrow" and did not want to use it; withal, it was used after Coppola managed to get Evans to agree.[2] [3] Coppola believed that Rota's musical slice gave the picture even more of an Italian feel.[3] Coppola's father, Carmine, created some additional music for the film,[9] particularly the music played by the band during the opening hymeneals scene.[3] [7]

At that place are 9 instances within the film where incidental music can be heard,[7] including C'è la luna mezzo mare and Cherubino'due south aria, Non so più cosa son from Le Nozze di Figaro. There was a soundtrack released for the film in 1972 in vinyl form by Paramount Records, on CD in 1991 past Geffen Records, and digitally by Geffen on Baronial 18, 2005.[ten] The album contains over 31 minutes of music coming from the film, with about being composed by Rota, forth with a song from Coppola and one by Johnny Farrow and Marty Symes.[11] [12] [13] In that location were 29 recordings of Nino Rota's music on the market past April 1972, specifically the songs recorded were "The Godfather Flit", "Speak Softly Beloved," and "Dearest Theme from The Godfather."[14] [15] [16] Information technology was expected more recordings would be striking the market place every bit the yr went on.[xiv] [15] [16]

Rails listing [edit]

Side one
No. Title Author(south) Length
ane. "Main Championship (The Godfather Flit)" Nino Rota 3:04
two. "I Take But One Heart" Johnny Farrow, Marty Symes 3:00
three. "The Pickup" Nino Rota 2:56
4. "Connie's Wedding" Blood-red Coppola ane:33
5. "The Halls of Fearfulness" Nino Rota ii:12
6. "Sicilian Pastorale" Nino Rota iii:03
Side two
No. Championship Writer(s) Length
ane. "Dearest Theme from The Godfather" Nino Rota 2:37
two. "The Godfather Waltz" Nino Rota 3:35
3. "Apollonia" Nino Rota one:22
iv. "The New Godfather" Nino Rota 2:00
5. "The Baptism" Nino Rota 1:51
vi. "The Godfather Finale" Nino Rota 3:fifty

Reception [edit]

Professional ratings
Review scores
Source Rating
Allmusic [11]
Filmtracks [13]

The soundtrack was well received past music critics. The United Press International's William D. Laffler wrote that the "Principal Title" was a "haunting piece of music which generates nostalgic longing for things past and a foreboding underlying theme."[17] He felt that the soundtrack grows on the listener with each play and predicted it would get i of the biggest sellers in the calendar yr.[17] William J. Knittle Jr. of the Daily News–Post felt Rota's titular theme was why The Godfather was "close to being the perfect American film."[18] He continued by stating Rota broke from his "usual lush string tour de strength."[18] He felt the music was "meaningful and involving," while the employ of cello and cornet solos demonstrated the isolation and insulation of the Corleone family unit.[18] He closed by proverb the music showed Italian influence and had a natural progression.[18] The Journal and Courier's Bernard Drew felt Rota's musical pieces were haunting and "bridged gaps and served as a reminder of how things were."[19] Harry Haun of The Tennessean described Rota'southward score every bit "baleful," simply felt it kept with the pace of the movie well.[xx] Peter Barsocchini who wrote for The Times wrote that The Godfather soundtrack was able to stand up on its own.[21] He elaborated on the soundtrack stating information technology was "extremely evocative" and that it kept with the fourth dimension period the pic was prepare.[21] He did state that the soundtrack was "rich and interesting, without, except for 1 cut (the song by Al Martino), beingness at all typed."[21] He felt the "Main Title" was the best runway on the album because: "Information technology is at one time chilling and plaintive and nostalgic, but it as well evokes the humanity of The Godfather, gives the image of a man instead of a ruthless monster, which is a brilliant composition."[21] Barsocchini wrote that "The Halls of Fear" explored the concept of fright well in an a-melodramatic manner.[21] He summed up the album by stating information technology was worthy of one's attention even if not interested in the film.[21] Detroit Free Press's Bob Talbert described Rota'southward score as "right on the money" and "[captured] the feel of the '40s and the power of Marlon Brando."[22] He generally commented that the instruments used in the picture matched the intensity of Brando and Al Pacino.[22] He also described Martino every bit "a thinly bearded Frank Sinatra."[22] Allmusic gave the album five out of five stars, with editor Zach Curd proverb information technology is a "night, looming, and elegant soundtrack."[11] An editor for Filmtracks believed that Rota was successful in relating the music to the film's core aspects.[thirteen]

Rota's score was also nominated for Grammy Award for Best Original Score for a Motion Picture or TV Special at the 15th Grammy Awards.[23] [24] Rota was announced the winner of the category on March three at the Grammys' anniversary in Nashville, Tennessee.[23] [24] Rota had received a nomination for the Best Original Score at the 45th Academy Awards.[25] [26] Upon farther review of Rota'southward love theme from The Godfather, the Academy found that Rota had used a similar score in Eduardo De Filippo'due south 1958 comedy Fortunella.[27] [28] [29] This led to re-balloting, where members of the music branch chose from six films: The Godfather and the five films that had been on the shortlist for best original dramatic score merely did not become nominated. John Addison'due south score for Sleuth won this new vote, and thus replaced Rota's score on the official list of nominees.[30]

Awards and nominations received past The Godfather
Award Category Nominee Result
45th Academy Awards Best Original Dramatic Score Nino Rota Revoked[N 1]
26th British Academy Moving picture Awards Best Film Music Nino Rota Won
30th Gilded Earth Awards Best Original Score Nino Rota Won
15th Grammy Awards Best Original Score Written for a Movement Picture or Goggle box Special Nino Rota Won

Credits [edit]

  • Composer: Carmine Coppola
  • Composer: Johnny Farrow
  • Featured artist: Al Martino
  • Composer: Giovanni Rota
  • Composer and primary artist: Nino Rota
  • Composer and main artist: Carlo Savina
  • Composer: Marty Symes

Source:[31]

Release history [edit]

References [edit]

Footnotes [edit]

  1. ^ Following its nomination, The Godfather's master score, "Honey Theme from The Godfather," was found like to Rota's previous score from the 1958 pic Fortunella. This led to the Academy placing the theme into a new ballot with v other movie's primary scores that missed the original cut for nominations to determine who would hold the final spot for the Academy Laurels category for Best Original Dramatic Score. The theme lost the vote and was replaced by John Addison'due south score for Sleuth.

Citations [edit]

  1. ^ Cruz, Gilbert. "The Ceremony Y'all Can't Refuse: 40 Things Yous Didn't Know Well-nigh The Godfather" – via entertainment.fourth dimension.com.
  2. ^ a b c Phillips 2004, p. 107.
  3. ^ a b c d e Welsh, Phillips & Colina 2010, p. 222.
  4. ^ "'The Godfather'Based On All-time-Selling Novel". The Daily Herald. March 28, 1972. p. 5. Retrieved May 17, 2020 – via Newspapers.com. open access
  5. ^ Herb Caen (October 28, 1971). "San Francisco". The Honolulu Advertiser. p. F-7. Retrieved May 17, 2020 – via Newspapers.com. open access
  6. ^ Scott Cain (January 2, 1972). "For Bogdanovich, An Earful of Old Hits". The Atlanta Periodical and Constitution. p. 4-F. Retrieved May 17, 2020 – via Newspapers.com. open access
  7. ^ a b c Lebo 1997, p. 191.
  8. ^ "Classical Hour: Sibelius' Outset Symphony". Oslo Philharmonic.
  9. ^ Phillips 2004, p. 355.
  10. ^ a b c d "The Godfather (Original Picture show Soundtrack)". Apple. Archived from the original on July xx, 2014. Retrieved April 16, 2013.
  11. ^ a b c Curd, Zach. "Nino Rota – The Godfather [Original Soundtrack]". Allmusic. All Media Network. Archived from the original on July xx, 2014. Retrieved July 20, 2014.
  12. ^ "Nino Rota – The Godfather [Original Soundtrack]". Allmusic. All Media Network. Archived from the original on July 20, 2014. Retrieved July xx, 2014.
  13. ^ a b c "The Godfather". Filmtracks. Christian Clemmensen (Filmtracks Publications). October 3, 2009. Archived from the original on July xx, 2014. Retrieved July xx, 2014.
  14. ^ a b "'Godfather' Music Starts Landslide". The Shreveport Periodical. April 29, 1972. p. vi-C. Retrieved May 17, 2020 – via Newspapers.com. open access
  15. ^ a b "29 Recordings of 'Godfather' Music Listed". The Cumberland Sun Times. May 14, 1972. p. 34. Retrieved May 17, 2020 – via Newspapers.com. open access
  16. ^ a b "'Godfather' Music Recorded 29 Times; More Expected". Fond du Lac Reporter. May 1, 1972. p. 9. Retrieved May 17, 2020 – via Newspapers.com. open access
  17. ^ a b William D. Laffler (June 17, 1972). "Godfather music is so popular". The Evening Sentinel. UPI. p. xiii. Retrieved May 17, 2020 – via Newspapers.com. open access
  18. ^ a b c d William J. Knittle Jr. (October 3, 1972). "Version is a knockout". Daily News–Post. p. three. Retrieved May 17, 2020 – via Newspapers.com. open access
  19. ^ Bernard Drew (March 22, 1972). "'Godfather' Rated Rousing Crime Testify". Journal and Courier. p. C-6. Retrieved May 17, 2020 – via Newspapers.com. open access
  20. ^ Harry Haun (March xxx, 1972). "A Family unit That Preys Together". The Tennessean. p. 56. Retrieved May 17, 2020 – via Newspapers.com. open access
  21. ^ a b c d e f Peter Barsocchini (April 18, 1972). "Three Soundtracks Worth Obtaining". The Times. p. fifteen. Retrieved May 17, 2020 – via Newspapers.com. open access
  22. ^ a b c Bob Talbert (March 26, 1972). "For Film Fans, Godfather' Soundtrack". Detroit Free Printing. p. vi-C. Retrieved May 17, 2020 – via Newspapers.com. open access
  23. ^ a b "Roberta Flack Is Big Winner in Awarding Of 'Grammys'". Sarasota Herald-Tribune. Associated Printing. March five, 1973. p. xi–A. Archived from the original on November 21, 2018. Retrieved July fifteen, 2014.
  24. ^ a b Edward W. Coker Jr. (March 9, 1973). "Roberta Flack Is Big Winner in Awarding Of 'Grammys'". The Spokesman-Review. Archived from the original on Nov 21, 2018. Retrieved July xv, 2014.
  25. ^ Russell, Bruce (February xiii, 1973). "'Godfather' Gets 11 Oscar Nominations". Toledo Blade. Reuters. p. P-2. Retrieved September 2, 2014.
  26. ^ "Godfather Gets 11 Oscar Nominations". The Michigan Daily. United Press International. February 14, 1971. p. 3. Retrieved July 15, 2014.
  27. ^ "'Godfather' Vocal Used Earlier". Daytona Beach Morning Star. Associated Press. March two, 1973. p. 10. Archived from the original on November 21, 2018. Retrieved July xv, 2014.
  28. ^ "Godfather, Superfly music out of Oscars". The Montreal Gazette. Associated Press. March 7, 1973. p. 37. Archived from the original on November 21, 2018. Retrieved July 16, 2014.
  29. ^ Tapley, Kris (January 21, 2008). "Jonny Greenwood's 'Blood' score disqualified past AM-PAS". Variety. Archived from the original on September 15, 2012. Retrieved March four, 2010.
  30. ^ "100 Years of Paramount: University Awards". Paramount Pictures. Archived from the original on June 4, 2013. Retrieved June 16, 2013.
  31. ^ "Nino Rota – The Godfather [Original Soundtrack] – Credits". Allmusic. All Media Network. Archived from the original on June xv, 2020. Retrieved July 20, 2014.

Bibliography [edit]

  • Lebo, Harlan (1997). The Godfather Legacy: The Untold Story of the Making of the Classic Godfather Trilogy. London, England: Simon & Schuster. ISBN978-0-684-83647-8 . Retrieved September 26, 2016.
  • Phillips, Gene D. (2004). Godfather: The Intimate Francis Ford Coppola. Lexington, Kentucky: University Press of Kentucky. ISBN978-0-8131-4671-3 . Retrieved July fifteen, 2014.
  • Welsh, James M.; Phillips, Cistron D.; Loma, Rodney F. (2010). The Francis Ford Coppola Encyclopedia. Lanham, Maryland: Scarecrow Press. ISBN978-0-8108-7651-four . Retrieved July 15, 2014.

External links [edit]

  • Runway List at discogs.com

Source: https://en.wikipedia.org/wiki/The_Godfather_%28soundtrack%29

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